neonclassicism

dnt bin it plz dnt bin it i lyke it dont bin nono

Thu, 23 May 2013 22:54:29 +1200

but itz killling meeeeeeeeeeeeeeeee all on the insides

im getting real fukn sick of this blog aye

Thu, 23 May 2013 22:45:14 +1200

artmonia: Taylor White

Thu, 23 May 2013 22:38:45 +1200

artmonia:

Taylor White

insidie: La Recoleta Cemetery, Buenos Aires, Argentina

Thu, 23 May 2013 22:35:13 +1200

insidie:

La Recoleta Cemetery, Buenos Aires, Argentina

nuclearharvest: by Dino Cunsolo

Thu, 23 May 2013 20:03:59 +1200

nuclearharvest:

by Dino Cunsolo

Photo

Thu, 23 May 2013 20:02:02 +1200

Photo

Thu, 23 May 2013 18:42:29 +1200

timeimmemorial: Thomas Cooper Gotch (English, 1854–1931), The...

Thu, 23 May 2013 17:25:21 +1200

timeimmemorial:

Thomas Cooper Gotch (English, 1854–1931), The Lantern Parade, c. 1918. Oil on canvas, 61 x 76.2 cm. Private collection.

supersonicelectronic: Paul X. Johnson. Illustrations by Paul...

Thu, 23 May 2013 15:08:52 +1200

supersonicelectronic:

Paul X. Johnson.

Illustrations by Paul X. Johnson:

Read More

shoulderblades: palace of tears, nelly agassi, 2002 at the...

Thu, 23 May 2013 15:02:10 +1200

shoulderblades:

palace of tears, nelly agassi, 2002

at the center of the exhibition space stands a young woman, wearing a simple skin-colored dress; hundreds of strips made of similar fabric are suspended from various points on the four walls surrounding her. some trail on the floor, reaching her feet, others look as though they are already, somehow, connected to her dress. she bends, picks up a strip of fabric from the floor, sews it onto her dress, and so on and so forth. strip after strip, hour in hour out, in a cyclical, sequential act, until no more fabric strips remain on the floor, and she appears inseparably connected to the walls of the exhibition space.

Maria Schoof

Thu, 23 May 2013 15:00:18 +1200

Maria Schoof

maxcapacity: prostheticknowledge: RUN COMPUTER RUN Art and...

Thu, 23 May 2013 14:56:38 +1200

maxcapacity:

prostheticknowledge:

RUN COMPUTER RUN

Art and Tech festival held at RUA RED gallery, Dublin, opens this Friday 24th to July 13th.

RUN COMPUTER RUN @ GLITCH 2013 is an arts festival focused on examining artistic responses to cultural, economic and social factors that currently affect the evolution of the Internet. The festival features four exhibitions, eight workshops, a symposium featuring leading thinkers and curators in the field of New Media Art, and a showcase of short films.

One show, ‘Examining Aesthetics’ features creatives and groups in the top of the field: FIELD, Pixel Noizz, Casey Reas and Marius Watz.

Another show, ‘Economics + The Immaterial’, is an augmented reality exhibit by design to explore the value of immaterial goods:

How do we give value to immaterial goods? How do we buy and sell digital images? What is the relationship between economics and digital aesthetics? How can curators and artists create new platforms and models for the creation of economic exchange? These are some of the questions that this show attempts to answer. We are currently accepting artwork (video, jpg, gifs, 3d models or HTML content) that will feature in a unique gallery-based exhibition. The exhibition is composed of two parts – a gallery-sited virtual show, and the online production and distribution of materially-realised limited-edition goods.

A collection of great creatives have contributed here: Francoise Gamma, Yoshi Sodeoka, Lorna Mills, Benjamin Gaulon, Rollin Leonard, A Bill Miller, Emilio Gomariz, Andreas Nicolas Fischer, Emilio Vavarella, Debbie Guinnane + J. M. Bowers, Pinar & Viola, Chiara Passa, Reed + Rader, Daniel Rourke + Alex Myers, Alain Vonck, Jonas Lund, Emilie Gervais, Raquel Meyers, Benjamin Berg, Eutechnik, Andrew Healy, Linda Kostowski and Sascha Pohflepp, Geraldine Juárez, and … err … me …

If you have a smartphone with the Layar app, you will be able to see the submissions when the corresponding AR markers for each artist will be available from the website.

The third show, ‘Beyond The White Cube’, looks at art outside the gallery space and on the internet:

The goal of Beyond The White Cube is to explore and question how artworks made for Internet and mobile platforms can be transformed and reconceived for the gallery. Taking work that was originally conceived for other platforms of viewing and interaction and placing within a gallery context raises questions about the relationship between the digital and the physical.

It features works from Constant Dullaart and Evan Roth.

The fourth show, ‘Remaining Anonymous’, looks at artist works looks at the connection between online + offline life:

As the Internet increasingly embeds itself within our everyday lives, our online identities have begun to connect to our offline lives, making public information and our activities. The Internet is a space where data is archived, indexed, and often made publicly available. With the rise of identity-centric social networks like Facebook, it is increasingly difficult to remain anonymous online. The inherent sociality and default to public nature of these platforms leave our digital traces freely available to be collected and manipulated beyond our control. As our online data fuels commercial concerns how much of our digital identities do we really own, and what is the true price of giving away our access or control? How can we circumvent the policies these platforms put in place to regain the rights to our privacy? Are our rights to anonymity slowing fading? As part of our online exhibition, the curator has selected work by Paolo Cirio, Benjamin Gaulon and Martial Geoffre-Rouland. These works serve to highlight how traces of digital data left online can be commodified and re-appropriated questioning privacy online.

You can find out more about the exhibitions, artists and events at the official website here

I was lazy and didn’t submit anything, and now I’m regretting it

Photo

Thu, 23 May 2013 14:50:59 +1200

theresapossibility: Get Away | Yuck

Thu, 23 May 2013 14:50:50 +1200

theresapossibility:

Get Away | Yuck

maxcapacity: X3296

Thu, 23 May 2013 14:44:45 +1200

maxcapacity:

X3296

Photo

Thu, 23 May 2013 02:02:42 +1200

computer-gaze: Kevin Francis Gray

Thu, 23 May 2013 02:02:27 +1200

computer-gaze:

Kevin Francis Gray

Bernini, Apollo and Daphne, detail, 1622–25.

Wed, 22 May 2013 23:03:13 +1200

Bernini, Apollo and Daphne, detail, 1622–25.

MY WEDNESDAY NIGHT. GETTIN JAZZY

Wed, 22 May 2013 20:49:54 +1200

MY WEDNESDAY NIGHT. GETTIN JAZZY

vanfullersublime: Eve of the Invasion This is a silly picture...

Wed, 22 May 2013 20:45:25 +1200

vanfullersublime:

Eve of the Invasion

This is a silly picture inspired by Miro, Picasso, bad science fiction movies and Saturday morning cartoons. I see aliens here, but of course that’s only my interpretation: It’s a pure abstract, but it’s the kind that almost demands to be “literalized” in the viewer’s imagination.